Speaking of Art

Following on from post on my new “art” focus, I wanted to share a piece of art that I absolutely adore.

This isn’t my art, and as you may have surmised from the previous post, I don’t think of myself as an “art person”. I have previously told myself I am one of those people who don’t “get art”, and when I think about what that means I realise I mean “modern art”, but also “art you scroll past on a screen”.

Because our brains process art differently when it’s real and tangible in front of us, and I think we also see it differently when we’re bored or hungry or just want to hussle our kids through the gallery to the cafe1.

So it shocked me one day when I was out with the family in Gumeracha at a little cafe and art studio called The Coach House, and found myself falling for a little peice of art on display there. It was acrylic on board of part of a tree branch covered with moss, with autumn leaves in the background. The leaves were large and out of focus - colour and shape mostly - while the branch was crisp and detailed and textured. The paint itself was thick and poked off the canvas like a living thing, like actual moss and bark.

I couldn’t explain then, and still cannot today, why it just worked for me. It gave me the sense of depth of a photograph because the background was abstract and blurry while the foreground was not just sharp but popping off the canvas and it just tickled my brain in a way art never has before.

Even though I wanted to buy it then and there, it was not cheap. If I saw it today I would have never been able to afford it. But after we left, it hung around in my head for weeks. I found myself wondering if I could buy art? Would I even enjoy it? Was I even remembering it right?

Eventually I couldn’t ignore the itch any longer and drove back to the studio to purchase the peice. I’m glad to this day that I did. It hangs on my wall where I work where it feels like a little window to a tree just outside.

It was a work called Lichening by an artist named Kerrie Drogemuller. I’ve included a photo here because I want to try and share it with you, but keep in mind that the texture is just as important and pictures genuinely don’t do it justice.

A very realistic painting of lichen on a branch. The sun is hitting it from above, leaving bright yellow/green highlights. There is a second smaller branch running parallel and the shapes and outlines of large leaves behind.

Lichening by Kerrie Drogemuller

If I zoom in you can see how much the paint is layered to give it so much life at the macro level.

A closer picture of the same peice, showing blotches of yellow, orange, many shades of green, brown and light touches of white to higlight the edges of the paint

Enhance

Lichening by Kerrie Drogemuller

But even if I show you another angle, you still can’t appreciate the whole work from behind a screen.

A tilted picture of a small part of the whole painting, showing shadows and highlights across the surface of the paint, including the underlying criscross pattern of the canvas where the paint has soaked in

TEXTURE

Lichening by Kerrie Drogemuller

This is my chance to say thank you to Kerrie. I believe she’s still making art, but the Coach House is closed now. I hope she keeps providing joy through her art.

And if you already “get” art, then I guess this post might seem quaint or naive to you. I don’t claim I know what I’m talking about, and I won’t say “I just know what I like”, but I will say that maybe there’s more to it than aesthetics, or technique. Maybe it takes an audience to feel it, even if they don’t understand it, and if you don’t - maybe you just haven’t really felt it yet.


  1. oh, is this just a me thing?